The last time I saw John Eliot Gardiner was at the Cultural Centre Concert Hall in 2004. The occasion was the long-awaited debut visit of his Monteverdi Choir and English Baroque Soloists to Hong Kong and, fittingly, the maestro came onto the stage in a Chinese outfit. He was a towering figure: not because of his height, but his aura as a champion of early music. And the programme, which featured the music of English Baroque composer Henry Purcell, was unforgettable.
Gardiner comes from a family of English intellectuals. His grandfather was an Egyptologist, his father a forerunner of organic farming and his grandfather's brother a composer. The Australian composer Percy Grainger was a classmate of his great-uncle and Gardiner met Grainger when he was a young boy—but Gardiner's lifelong affiliation with another composer is even more fascinating.
A famous portrait of J.S. Bach painted by 18th-century German painter Elias Haussmann was hung in Gardiner's house when he was young. It was entrusted to the family by its owner for safekeeping during World War Two and Gardiner was instrumental in the return of the portrait to Germany in 2015. Gardiner recalls looking at the painting every day until he was 10 and it's worth exploring how being under the gaze of the great Baroque composer contributed to his becoming a Bach aficionado.
In 2000, to mark the 250th anniversary of the death of the composer, Gardiner set in motion the Bach Cantata Pilgrimage. Along with the English Baroque Soloists, he directed the Monteverdi choir to perform 198 of Bach's sacred cantatas in 63 churches, and had the long list of performances recorded and released. In 2018, to celebrate the 333rd anniversary of Bach's birthday, Deutsche Grammophon released a mega box set of 222 CDs, including a foreword by Gardiner.
When asked to name his favourite work by Bach, Gardiner's immediate answer was the B minor Mass. Having said that, his first recording of it came out in 1985—which was 21 years after he founded the Monteverdi Choir and seven years since the English Baroque Soloists were inaugurated. Gardiner was 42 at the time, but he later re-recorded the work at the age of 72 with the same ensembles in 2015. He noted that "they didn't get the whole picture the first time'" and that it "felt good to make a second attempt at scaling the heights".
Sir John Eliot Gardiner and The Constellation Choir & Orchestra
Date: 2026.03.06 - 03.07
Venue: Concert Hall, Hong Kong Cultural Centre


