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The 54th HK Arts Festival .Feature
2026.01.23

The Korean Style Revitalising the Classical Scene

Text / Henry Shiu

The evolution of artistic styles is often cyclical and traceable. Although Beethoven is an icon of the late Classical period and the emerging Romantic era, his later works returned to Bach's counterpoint and pushed the fugue to new heights, imbuing his string quartets with emotional tension, yet also fuse philosophical contemplation with music. This tendency to revisit the artistry of a bygone era can also be seen the development of performance styles in classical music.

From the late 1970s, classical music performance increasingly distanced itself from Romanticism, shifting instead towards an emphasis on objectivity and interpretations faithful to the composer's original intentions. This gave rise to a new generation of piano virtuosos, including Maurizio Pollini, Alfred Brendel, András Schiff and Murray Perahia, whose styles became popular in their times. However, an overemphasis on rational analysis led less-accomplished performers to deliver cold, detached performances. Perhaps integrating the subjective sensibilities of Romanticism with objective interpretations established during the past half century is the way forward for contemporary music. The emergence of South Korean pianist Yunchan Lim coincided with this paradigm shift in performance styles, and he arrived as a fresh spark lighting up the classical stage.

Lim won the Van Cliburn International Piano Competition in 2022, making him its youngest ever winner at just 18 years old. It was said that his performance in the final of Sergei Rachmaninoff's Piano Concerto No 3 moved conductor Marin Alsop to tears. In a flash, his talent caught the attention of the classical world and a video of the performance has now received 18 million views on YouTube. The polish and perfection of his technique allow him to perform pieces such as Franz Liszt's Transcendental Étudesworks of such technical difficulty that many pianists don't even attempt them—with such ease and lightness that a relaxed smile shines from his face while he plays.

He performed two sets of Frederic Chopin's Études in his first studio recording, which left fans in amazement at his ability to objectively tackle the pieces' musical structure while remaining wholly imaginative and creative in his timbre, infusing the music with a long-lost sense of romance. Even with Bach, whose compositions require strict adherence to the rules, Lim handles his Three-Part Inventions and Goldberg Variations with magnificence, performing them with Baroque  charm while bringing forth a delicate contemporary air. Meanwhile, his most recently released The Seasons by Tchaikovsky is deeply romantic, bringing to life the essence of a different musical genre.

At a young age, Lim's first piano teacher introduced him to recordings by Evgeny Kissin and Rachmaninoff, leading him deep into the Russian school of piano playing. Lim has named Rachmaninoff, along with Stanislav Neuhaus, Alfred Cortot, Artur Schnabel, Vladimir Horowitz, Maria Yudina and Josef Lhevinne, as among his favourite pianists, figures who not only represent the greats of the "golden age of piano" but also reveal the stylistic vision underpinning Lim's own playing.

When I listen to Lim perform, it is the rich timbre of Claudio Arrau that comes to mind. However, no matter what he plays, it brims with a youthful, passionate vitality that stands in stark contrast to Arrau's languid vibe. There is a recording on YouTube of a secondary-school-aged Lim, "jamming" Rachmaninoff's Concerto No 3 with a friend on the violin in a rehearsal room. Both are beaming, their limbs flailing ostentatiously, and hitting plenty of off-notes—but their raw youthfulness exudes a sense of enjoyment that is almost palpable. In today's music scene, there are many pianists with brilliant technique, but what sets Lim apart may well be the youthful spark that permeates every note he plays.

A similarly musically energetic group is the NOVUS Quartet, formed at the Korea National University of Arts. The group was awarded top place in the 2014 International Mozart Competition Salzburg, after playing a selection of works that spanned from classical to contemporary. In bringing this "K-style" of classical music to Hong Kong, we can expect Lim and the NOVUS Quartet to showcase the harmony between musical understanding and emotional expression of the highest degree, and offer these timeless, ancient works of music a fresh, contemporary and youthful lease of life.

Yunchan Lim with the Academy of St Martin in the Fields

Date: 28, Mar 2026

Venue: Concert Hall, Hong Kong Cultural Centre

Details:https://www.hk.artsfestival.org/en/programme/Academy-of-St-Martin-in-the-Fields-Yunchan-Lim

Yunchan Lim Piano Recital

Date: 30, Mar 2026

Venue: Concert Hall, Hong Kong Cultural Centre

Details: https://www.hk.artsfestival.org/en/programme/Yunchan-Lim-Piano-Recital

NOVUS Quartet

Date: 21, Mar 2026

Venue: Concert Hall, Hong Kong City Hall

Details: https://www.hk.artsfestival.org/en/programme/NOVUS-Quartet#introduction

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Acknowledgement