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The 54th HK Arts Festival .Feature
2025.12.16

Ryuichi Sakamoto: Eternal Life in Mixed Reality

Text / Wong Chi-chung

Everyone in attendance was visibly moved when the Hong Kong Arts Festival brought Ryuichi Sakamoto and Shiro Takatani's TIME to Hong Kong in 2025. On stage, Sakamoto's posthumous work crossed time and space, and explored dreamscapes and reality, life and death. In 2026, the HKAF will present the timeless art of the Japanese composer in the hi-tech piece KAGAMI. Titled after the Japanese word for "mirror", the show not only reflects the soul of the late maestro, but also immerses the participants in a rich, sensory experience, bringing about a marriage between the heart and the soul. Through cutting-edge technology, in particular the use of mixed reality, KAGAMI brings the Professor's piano recital back to life in a programme that can truly be said to transcend boundaries.

KAGAMI was created in collaboration with American technology collective Tin Drum. Since forming the studio in 2016, Todd Eckert has led creators, filmmakers, designers, engineers and artists in using mixed reality technology to merge the real and virtual, creating unprecedented immersive experiences. Sakamoto was volumetrically captured using a 48-camera system invented by 4DViews. The production represented a four- year process, unprecedented in the medium, which ultimately became KAGAMI. After putting on specially made mixed reality glasses, audience members are able to observe Sakamoto's fingers dancing over the keyboard, and feel the free yet profound soul of his music as though they are transported into a different world beyond the land of the living.

Alongside the mixed-reality experience is a photo exhibition showcasing Sakamoto's work from different eras, allowing audience members to warm up before embarking on a journey that transcends time, space and imagination. Sakamoto's musical universe is vast and profound, encompassing genres from classical, pop, electronic and jazz to avant-garde, experimental and ambient. His work appeared in a vast variety of settings, including film and television to games and anime, from theater and dance, to advertising, installation art and even the restaurant industry—all of which speak to his meticulous approach and enduring influence. In this unique and influential body of work, truth and fiction, the virtual and the physical, fantasy and reality always come together.

During Sakamoto's live shows throughout his five-decade career, the Professor experimented with a wide range of venues and performance styles. Anyone lucky enough to have witnessed Sakamoto perform will have precious memories that last a lifetime, and KAGAMI presents an opportunity to re-live those moments as they get up close and personal with the maestro. 

In the years leading up to his death, Sakamoto could no longer perform live. Single concerts, not to mention sprawling global tours, were too taxing. Despite this, in late 2022, Sakamoto mustered all of his energy to leave the world with one final performance: a concert film featuring just him and his piano. The 2023 solo piano concert film Opus was directed by his son, Neo Sora. While experiencing KAGAMI, you may also connect to a specific time in your life—or even a particular piano used by Sakamoto. In 2001, for example, Sakamoto travelled to Brazil to record the master composer Antônio Carlos Jobim's bossa nova music for his album Casa, using mobile equipment to record in maestro Jobim's home, performing on his piano. In 2011, after Japan's catastrophic Tōhoku earthquake, he installed an automated system on a damaged piano that had survived the disaster, creating the art installation IS YOUR TIME with artist Shiro Takatani.  And in 2015, he had a century-old piano from Hawaii hauled into the garden of his New York home and allowed it to disintegrate naturally, turning it into an experiment in art, philosophy and life.

I left Tokyo for Chengdu then returned to Tokyo in 2023, having witnessed the Professor going from recovery to relapse and then to death. The world had gone from the isolation of Covid back to some kind of normalcy, injecting even more mixed feelings into an already emotional journey. When KAGAMI was first staged overseas, I was still feeling weighed down and didn't feel ready to take part; perhaps many others were in a similar situation. But since learning there would be an opportunity to experience it in Hong Kong in 2026, I have been steeped in anticipation. After missing him for almost three years, I am now looking forward to meeting the "Professor" once again, this time in a completely different dimension.

 

Jockey Club InnoArts Series: KAGAMI by Ryuichi Sakamoto & Tin Drum

Date: Feb 27-Mar 15, 2026

Venue: The Box, Freespace, WestK

Link: https://www.hk.artsfestival.org/en/programme/KAGAMI-by-Ryuichi-Sakamoto-Tin-Drum

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