"My grandma used to worship all the time. She would burn incense sticks during the last lunar month, on the anniversaries of her parents' deaths as well as on the birthdays of different deities to find peace of mind. It's difficult to achieve this state of mind nowadays," Leung explains. Chinese opera often draws inspiration from myths that gradually become folk beliefs that comfort people and help them get on with their lives. In fact, Chinese opera is full of religious rites, while ritual performances are regularly held in Hong Kong on deities' birthdays. "We want to study how such beliefs help mankind." This, perhaps, is precisely the value and meaning of mythology.

In their script, the two playwrights have created plenty of room for imaginations to run wild. "How does Yue Lao [the God of Marriage] manage the countless ties between mortals all by himself? He must have a heavier workload than the marriage registry! And after all these years, what does he think of conjugal ties between mortals?" In his willingness to think outside the box, Lai is showing the audience another side of the deities.

Leung points out that their works are not mere comedies.  "I hope this piece will give the audience an animated, colourful and cheerful feeling while providing food and room for thought."  Produced by a group of devoted Cantonese opera professionals, The Oracle promises a comedic Cantonese opera experience featuring a combination of witty lines, a variety of character styles and hilarious physical comedy.