{"version":"1.0","provider_name":"HKAF News &amp; Features","provider_url":"https:\/\/news.artsfestival.org\/en\/","title":"Interview with Cristiana Morganti\uff5cThe Perks of Being Self-Critical - HKAF News &amp; Features","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qXjh8TELeB\"><a href=\"https:\/\/news.artsfestival.org\/en\/articles\/cristiana-morganti-jessica-and-me\/\">Interview with Cristiana Morganti\uff5cThe Perks of Being Self-Critical<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/news.artsfestival.org\/en\/articles\/cristiana-morganti-jessica-and-me\/embed\/#?secret=qXjh8TELeB\" width=\"600\" height=\"338\" title=\"&#8220;Interview with Cristiana Morganti\uff5cThe Perks of Being Self-Critical&#8221; &#8212; HKAF News &amp; Features\" data-secret=\"qXjh8TELeB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/news.artsfestival.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/news.artsfestival.org\/wp-content\/uploads\/2025\/01\/Jessica-and-me-ph-Claudia-Kempf2-min-1-scaled-e1736499998735.jpg","thumbnail_width":2560,"thumbnail_height":1923,"description":"Cristiana Morganti can\u2019t take herself seriously\u2014a self-understanding that she takes very seriously. Born in Italy but based in Germany, the 56-year-old dancer-choreographer has a unique way of weaving disparate worlds together. She is sharp-tongued but soft-spoken, straight-faced while effortlessly ironic. \u201cI don\u2019t think so intellectually,\u201d she tells FestMag, yet there's such clairvoyance, such mechanical precision to her words, that it almost feels as though she\u2019d choreographed them."}