{"version":"1.0","provider_name":"HKAF News &amp; Features","provider_url":"https:\/\/news.artsfestival.org\/en\/","title":"Under an Illusion: The Choir That May Not Be There - HKAF News &amp; Features","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wSVUquNXxi\"><a href=\"https:\/\/news.artsfestival.org\/en\/articles\/gulbenkian\/\">Under an Illusion: The Choir That May Not Be There<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/news.artsfestival.org\/en\/articles\/gulbenkian\/embed\/#?secret=wSVUquNXxi\" width=\"600\" height=\"338\" title=\"&#8220;Under an Illusion: The Choir That May Not Be There&#8221; &#8212; HKAF News &amp; Features\" data-secret=\"wSVUquNXxi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/news.artsfestival.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/news.artsfestival.org\/wp-content\/uploads\/2025\/12\/5H0A761-scaled-e1767147898193.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"\"In the past 50 years, there's been immense pressure on classical music to revolutionise itself. Classical music generally doesn't move unless it has to,\" says composer Professor Eugene Birman, Associate Director (Internationalisation) and Associate Professor at the Hong Kong Baptist University's Academy of Music. And Birman is doing his part to help push the music [&hellip;]"}