{"version":"1.0","provider_name":"HKAF News &amp; Features","provider_url":"https:\/\/news.artsfestival.org\/en\/","title":"Noh: The Aesthetics of Subtlety - HKAF News &amp; Features","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"nr5OA1RjnK\"><a href=\"https:\/\/news.artsfestival.org\/en\/articles\/noh\/\">Noh: The Aesthetics of Subtlety<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/news.artsfestival.org\/en\/articles\/noh\/embed\/#?secret=nr5OA1RjnK\" width=\"600\" height=\"338\" title=\"&#8220;Noh: The Aesthetics of Subtlety&#8221; &#8212; HKAF News &amp; Features\" data-secret=\"nr5OA1RjnK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/news.artsfestival.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/news.artsfestival.org\/wp-content\/uploads\/2024\/12\/backup01-1-scaled-e1734486053758.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"As the powerful and resonant tones of traditional chants fill the air, the Noh actors, wearing hauntingly mysterious masks, stride solemnly across the stage. Every movement is fluid, yet decisive, revealing why they have been described as \"moving sculptures\". \u00a0This Japanese cultural treasure has long been a passion of Kazufusa Hosho, the 20th grandmaster of [&hellip;]"}