{"version":"1.0","provider_name":"HKAF News &amp; Features","provider_url":"https:\/\/news.artsfestival.org\/en\/","title":"Why We\u2019re Still Waiting for Godot - HKAF News &amp; Features","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kxV3hv6q5o\"><a href=\"https:\/\/news.artsfestival.org\/en\/articles\/waiting-for-godot\/\">Why We're Still Waiting for Godot<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/news.artsfestival.org\/en\/articles\/waiting-for-godot\/embed\/#?secret=kxV3hv6q5o\" width=\"600\" height=\"338\" title=\"&#8220;Why We&#039;re Still Waiting for Godot&#8221; &#8212; HKAF News &amp; Features\" data-secret=\"kxV3hv6q5o\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/news.artsfestival.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/news.artsfestival.org\/wp-content\/uploads\/2025\/12\/a03a01e62e0204affae431551fb59858-scaled-e1766460870514.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"While a student at the Central Academy of Drama in Beijing in 1991, Meng Jinghui chose Samuel Beckett's absurdist play Waiting for Godot as his graduation piece\u2014an unconventional choice in an era still dominated by realist drama. \"At the time, it was as though I was waiting for a new world, waiting for something different [&hellip;]"}